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  • June 21st
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    A Performance of Various Pacific Northwest Shell Types as Containers for Melting Pitch

    Melting pitch can be a tricky business. A lot can happen between scraping pitch from a tree and finishing a batch of pitch sticks. After heat has greatly increased its viscosity, this substance seems to instantly drip onto, run over, and adhere to materials that you least want to introduce the stickiest of natural adhesives. Getting the stuff on your skin (especially hairy skin!) is a veritable scourge, remedied by alternately rubbing wads of bedstraw (Galium spp.) and clumps of sandy-dirt onto the affected area. 

    In some places, pitch isn’t found in abundance. In fact, I treasure every single glistening drop I see. I’m careful to not waste it, which inspires me to find small, re-usable, energy-efficient (my energy) containers that serve in collection and melting. Once you use a container to hold or melt pitch, it becomes forever committed to this purpose. 

    My area offers no rock to be effectively pecked-and-ground, no clay to pinch a pot from, but is laden with a seemingly endless supply of seashells.  Tool tradition, great importance is placed upon the use of natural, found items as vessels for the preparation of practical amounts of glue, medicine, tea, and pigment. (A good article by Richard Jamison entitled, “The Use of Pitch,” can be found in the book, The Best of Woodsmoke: A Manual of Primitive Outdoor Skills.)

    Shells used in this experiment: mussel, butter clam, gaper clam, Nuttall’s cockle, littleneck clam and oyster.


    I chose twenty-five shells from each of the larger species that I could find and melted pitch in them. To test for longevity, I chose another five shells from each species and proceeded to melt pitch in each until either the shell failed or pitch was melted five times. Some shells, like oysters and littleneck clams, proved reliable enough to use just once.  Butter clams demonstrated the greatest resiliency over the long haul, as did gaper clams to a slightly lesser extent. As a result of my experience, I would not recommend using cockles and mussels.  Here are the pros-and-cons for each species that I observed throughout the melting trials.  
                                                                                                                   
    Butter Clams—4% failure rate
    + large/deep
    + thick
    + the most crack-resistant shell-type tested
    - a bit difficult to handle with wooden tongs

    Gaper Clams—12% failure rate
    + large/deep
    + fairly crack-resistant
    - difficult to handle with wooden tongs 

    Littleneck Clams—20% failure rate
    + fairly crack-resistant
    + easy to handle with wooden tongs
    - usually quite small

    Pacific Oysters—56% failure rate
    - irregularly shaped-shells don’t often sit upright
    - difficult to find one with a useful concavity
    - difficult to handle with wooden tongs
    - becomes very fragile after having been heated

    Nuttall’s Cockles—76% failure rate
    Blue Mussels—92% failure rate
    + both shell types are large/deep
    + plentiful
    + very easy to handle with wooden tongs
    - readily cracks

    Melting pitch in butter clam shell (foreground) and mussel shell (background).

    Failed mussel shell.

    I give a heartfelt thanks to the Makah Tribe for granting me special permission to collect shells on their sparkling, productive shores.

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Artist In Resistance
In the next two years I will be leaving with a few others to establish a wilderness training camp.

Come and join me in the re-discovery of The NATURAL REALITY... An autonomous co-exsistanc with our Great MOTHER and to develop a BISKAABIIJUNG mentality-The decolonization of our spirit,mind and bodies. (biskaabiijung is an Ojibwa word for "To return to self",or my inturpertation to decolonize your mind)

My name is Kerry Red Atjecoutay I am from Ka-wezauce “Little Boy First Nation (cowessess Saskatchewan Canada) Saulteaux/Cree of the Ojibwa Nation a descendant of the Anishinabe
And grew up in Calgary Alberta, lived on the Rez for the first 7 years of my life.

I currently operate a art studio/library with music film Native american "indian" literature dedicated to the resistance of Indigenous peoples of the world with the focus on the people of the Western Hemisphere with the help of several persons who are members of my association - AKA.

THROUGH THIS SITE I WILL BE GOING PROGRESSIVELY IN TO THE NATURAL REALITY from civilization to a re-evolotion of an autonomous co-essistance with nature, in TWO YEARS we will be retuning to the EARTH, If you like, Stay with me here and watch and learn with me as we take this road that is less travailed by the "civilized man", and I thank you... For just being there, Because, for me sharing means everything.

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